Lilith Czar arrives with the force of an otherworldly thunder, arising in visceral rebirth from an untimely grave of surrender and sacrifice. Her voice is the sound of supernatural determination, summoned with a confessional vulnerability and unapologetic authenticity. The girl who was Juliet Simms – her dreams discouraged and dismissed, her identity confined and controlled – is no more. In her place stands Lilith Czar, a new vessel forged in unbridled willpower and unashamed desire.
Her motivation is simple: if it’s truly “a man’s world”? She wants to be King.
The new larger-than-life icon channels the fierce combativeness of Fiona Apple and Stevie Nicks’ seductive witchery. Lilith Czar arms herself with sonic power, theatricality, and confidence. It’s a sound where the pulse of Nine Inch Nails, Halestorm’s songcraft, and the libertine spirit of David Bowie converge, all in service of a ritualistic ache for a more just and equitable world.